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Analysis of the function of Iranian music officials in the poem Ta'sir Tabrizi
Mojtaba Asgharnasab1 , Aiyoub Kooshan *2 , Hamidreza Farzi1
1- Islamic Azad University, Tabriz
2- Islamic Azad University, Tabriz , kooshan@iaut.ac.ir
Abstract:   (191 Views)
The poets and writers of the past eras are part of the messengers of the written history of nations and civilizations, and studying their works helps to explain more and better the prevailing atmosphere during the author's lifetime and the geography of his life. Considering the importance of poetry and music in Iranian culture, examining the lives, thoughts and works of poets and musicians of each historical period leads to a more detailed analysis of the characteristics and cultural behaviors in the society of that period and the neglected dimensions of their thought. Mirza Mohsen Ta'sir Tabrizi is one of the prominent and melodious poets of the Indian style, whose abundance of musical words in his poetry is due to his considerable interest and familiarity with this art. Part of the specialized terms used by the poet in his theme are the names of the authorities and branches of music, which are known today as the institutions and corners of the Iranian music hierarchy, and so far no research has been done in this field on the works of "Ta'sir Tabrizi". has not been In this interdisciplinary essay, we have studied the library of the poet's divan and analyzed the verses that were written using the names of the authorities and branches of music, and we have discussed the role of these terms in creating new themes and concepts intended by the poet.
Keywords: Ta'sir Tabrizi, instrumental music, Indian style, authorities, interdisciplinary.
     
Type of Study: Research | Subject: Special
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دوفصلنامه  زبان و ادبیات فارسی دانشگاه خوارزمی Half-Yearly Persian Language and Literature
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