بررسی بن‌مایه‌های عرفانی در شعر بیژن جلالی

Bijan Jalali (1927–2008) is a contemporary Iranian modernist poet who, despite his stylistic and thematic innovations, has received less scholarly attention than other prominent figures in the realm of modern Persian poetry—such as Nima Yushij, Ahmad Shamlu, and Sohrab Sepehri. Jalali’s poetry is introspective, concise, and imbued with ontological, philosophical, and mystical themes. What distinguishes his work is a personal, intuitive experience of existence, articulated through language that is simple yet multi-layered. Themes such as death, solitude, transcendence of the material world, the search for meaning, silence, the presence of the Divine, illusion and dreams, and a yearning for self-dissolution into the totality of the universe, constitute the semantic structure of his poetry. Drawing inspiration from diverse mystical traditions—ranging from Islamic mysticism and Iranian Sufism to the mystical thought of the Far East, particularly India and Buddhism—Jalali views poetry not merely as a vehicle for expressing emotions, but as a realm for the contemplation and revelation of Truth. Employing an analytical-descriptive approach, this study examines the mystical and spiritual motifs within Jalali’s poetry, demonstrating that his poetic language—despite its simple vocabulary—encapsulates profound mystical meanings and existential reflections. From the perspective of this research, Jalali not only critiques elements of the modern world but also reconstructs a sacred vision of existence, wherein life is not a futile endeavor, but rather a spiritual journey toward "Truth." Thus, Jalali’s poetic language—with its intuitive and symbolic capacities—serves as a medium for representing profound mystical and existential experiences. Within this form of mysticism, which is personal and contemplative in nature, the experience of death, solitude, and the encounter with existence becomes intertwined with the quest for meaning and the transcendent.