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:: year 27, Issue 86 (7-2019) ::
زبان و ادبیات فارسی 2019, 27(86): 259-281 Back to browse issues page
Polyphony in Sange Sabour
Zeinab Norouzi *1, Tahereh Gholami2
1- Birjand University , zeynabnowruzi@birjand.ac.ir
2- Birjand University
Abstract:   (8502 Views)
With the development of Bakhtin's theory of polyphony in literary criticism, the kind of attitude to literary texts has changed, and according to the needs of modern society, this discourse became the focus of attention of thinkers and literary theorists. Polyphony, with its own meta-lingual potentials, brings with it a new approach, a rethinking of the audience, so that the reader can have a new range of experiences. In this research, employing Bakhtinian dialogical logic, it is possible to examine Sange Saboor as polyphonic and dialogical. Sange Saboor has a special structure that differs from other works of Chubak and utilizes components such as the plurality of voices, the use of stream of consciousness, internal  monologue, intertextuality,  two-way discourse, literary schools, etc. The author of this article attempts to find the features that turn the text polyphonic and explore their function. 
Keywords: polyphonic, dialogic, Sadegh Chubak, Sange Sabour, intertextuality
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Type of Study: Research | Subject: Special
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Norouzi Z, Gholami T. Polyphony in Sange Sabour. زبان و ادبیات فارسی. 2019; 27 (86) :259-281
URL: http://jpll.khu.ac.ir/article-1-3580-en.html

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year 27, Issue 86 (7-2019) Back to browse issues page
دوفصلنامه  زبان و ادبیات فارسی Half-Yearly Persian Language and Literature
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