TY - JOUR JF - jpll JO - Persian Language and Literature VL - 27 IS - 86 PY - 2019 Y1 - 2019/7/01 TI - Polyphony in Sange Sabour TT - چندصدایی در رمان سنگ صبور N2 - With the development of Bakhtin's theory of polyphony in literary criticism, the kind of attitude to literary texts has changed, and according to the needs of modern society, this discourse became the focus of attention of thinkers and literary theorists. Polyphony, with its own meta-lingual potentials, brings with it a new approach, a rethinking of the audience, so that the reader can have a new range of experiences. In this research, employing Bakhtinian dialogical logic, it is possible to examine Sange Saboor as polyphonic and dialogical. Sange Saboor has a special structure that differs from other works of Chubak and utilizes components such as the plurality of voices, the use of stream of consciousness, internal monologue, intertextuality, two-way discourse, literary schools, etc. The author of this article attempts to find the features that turn the text polyphonic and explore their function. SP - 259 EP - 281 AU - Norouzi, Zeinab AU - Gholami, Tahereh AD - Birjand University KW - polyphonic KW - dialogic KW - Sadegh Chubak KW - Sange Sabour KW - intertextuality UR - http://jpll.khu.ac.ir/article-1-3580-en.html DO - 10.29252/jpll.27.86.259 ER -